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Albrecht Altdorfer Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe oil painting


Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe
Painting ID::  82057
Albrecht Altdorfer
Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe
1531 Medium Oil on wood cyf

   
   
     

Albrecht Altdorfer Augustiner oil painting


Augustiner
Painting ID::  82394
Albrecht Altdorfer
Augustiner
English: c. 1509-1516 Medium Oil on wood cyf

   
   
     

Albrecht Altdorfer Kreuzigung Christi oil painting


Kreuzigung Christi
Painting ID::  82439
Albrecht Altdorfer
Kreuzigung Christi
1526(1526) Medium Oil on wood Dimensions 28,7 x 20,8 cm cyf

   
   
     

Albrecht Altdorfer The Entombment oil painting


The Entombment
Painting ID::  82481
Albrecht Altdorfer
The Entombment
1516(1516) Medium Oil on wood cyf

   
   
     

Albrecht Altdorfer The Flagellation of Christ oil painting


The Flagellation of Christ
Painting ID::  82497
Albrecht Altdorfer
The Flagellation of Christ
1518(1518) Medium Oil on wood cyf

   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

     Related Artists::.
     | Wynford Dewhurst | Diepraam, Abraham | Antal Berkes |


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